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A free sample of Log Book is available on request.


Felucca served as a cargo carrier, passenger vessel, man-of-war, corsair, and guardian of ports. Terra has been applied to a number of differ¬ent types of vessels during a long history that ended in the 19th century. Small types generally both rowed and sailed; large vessels only sailed, stepping 1-3 masts. Generally set lateen sails, although a sprit rig was common on some small open feluccas in the 17th century. Some As many as 20 banks of oars used and, on older types, outboard gangways supported standing rowers. Sharp ends, flat floors, shallow keel, flared sides. Most had a low beak. The later Spanish craft had a very tall stem extension. Most had an overhang¬ing poop deck, some had a cabin aft, and larger vessels were fully decked. On some, the helm could be placed at either end as needed. The corsair carried ca. 20 men. Reported lengths 9-19m, widths 1.8-3.7m, depths 0.7-1.12m.
Feluccas are the traditional sailboats of Egypts Nile . Egyptians and foreigners alike enjoy a relaxing felucca ride, as they are perfect for catching the breeze on a hot summer night, The felucca has remained, over the centuries, the primary transportation of the Nile . Its ancient form still graces the river as it has been done since the time of the Pharaohs. The felucca relies entirely on the breeze which builds during the day, and the Nile River's current. Egypt is blessed with a predominant southerly wind that pushes sailboats upriver, while allowing them to return on its current downstream.
Egipt 2014;le4. Dominica 1998; 90c; SG2459. Monaco 1979;1f50; SG1396. Uganda 1998;3000s;SG Ms1973b. (In margin of sheet).
Source: A Dictionary of the world’s Watercraft from Aak to Zumbra. ... rev=search

LILIAN GRANDIN in a sampan on the Yangtze River.

Jersey issued in 1976 a set of four stamps to commemorate that 100 years ago Mrs. Lilian Grandin was born on the island. One stamp the 7p has a maritime theme, it shows Mrs. Grandin in a sampan on the Yangtze River in China.

Of the river sampan is given: She was used by Mrs. Grandin on the Yangtze River, this sampan is a passenger sampan which is decked and covered, steered with a long sweep. poled or rowed, set a single square sail.

Lilian Grandin, born in St Helier in 1876 (a commemorative plaque on the building where she was born gives the date as 1896, but commemorative stamps were issued by Jersey Post Office in 1976 to commemorate the centenary of her birth), was Jersey's first woman doctor. She went to China as a Methodist missionary, where she met and married journalist Edwin John Dingle. She died in 1924 of typhus after setting up a clinic and leper colony in Yunnan province.

Jersey 1976 7p sg 165, scott?


Tonga issued in 1988 a miniature sheet for the Australian Bicentennial, the sheet depict the 200th anniversary of colonization of Australia.
Only one stamp the second of the top row depict a ship, most probably a convict ship, the first emigrant ships did arrive after 1800. It looks like the stamps have been designed after paintings, drawing or photos but a search on the net did not find the ship, and so her name is still unknown.
The person depict on the stamp is the first governor of Australia Captain Arthur Phillip, who arrived with the First Fleet in 1788.
The first stamp of the top row shows a painting of Captain Cook with what looks like part of his log book for his voyage to Australia.

Tonga 1988 42s sgMS 989, scott ?


On the sheetlet of Gabon depict famous sails of the XIX-XX.
600f- DOM FERNANDO II e GLORIA- see more details: viewtopic.php?f=2&t= 11124.
880f- СUTTY SARK - see more details: viewtopic.php?f=2&t= 9027.
1150f- FLYING CLOUD - see more details: viewtopic.php?f=2&t= 8507.
1500f- KRUSENSTERN - see more details: viewtopic.php?f=2&t= 8107.
Gabonaise 2017;600f;880f;1150f;1500f;Ms.

CHANTAL fishing boat

The R3 stamp issued by Zil El Wannyen Sesel for the Lloyd’s London Centenary in 1988 is given by Stanley Gibbons as the fishing boat CHANTEL.

Could not find a CHANTEL as a fishing boat in the islands, but CHANTAL exist, I found that the fishing boat schooner rigged CHANTAL was fitted out in 1988 with an echo sounder and electrically powered reels. Could not find any more details on the vessel or if she still is used as a fishing boat in 2018.

Zil.el Wannyen Sesel 1988 3R sg187, scott?

GLOVIS SOLOMON ro-ro car carrier 2011

This miniature sheet issued by Qatar in 2017 shows us the Port of Hamad with in the background in the margin a container vessel, and on the other side of the port some cargo ships, all this ships have been not identified, The stamp depict a vehicle carrier and identified by Watercraft Philately as the GLOVIS SOLOMON.
Built as a ro-ro vehicle carrier under yard No S400 by Hyundai Samho Heavy Industries Co. Ltd., Moko, South Korea for C Ladybug Corp., Panama.
18 June 2010 keel laid down.
08 October 2010 launched as the C LADYBUG.
Tonnage 72.635 grt, 26,226 net, 26,988 dwt. Dim. 232.52 x 32.26 x 20.11m. draught 10.01 m., length bpp. 222.40m.
Powered by 1 Wärtsilä/Hyundai 7RT-flex82T single acting 8 cyl. 19,040 kW. The engine was built Hyundai Heavy Ind. Engine & Machinery, Ulsan, South Korea. One fixed pitch propeller, speed 20 knots.
Car capacity 8,100 units.
Tank capacity, fuel oil 4,170.7 m³, ballast water 12,516,1 m³.
11 July 2011 completed, under Panama flag and registry.

July 2014 sold to Hyundai Gloves Co, Ltd, Seoul, South Korea and renamed GLOVES SOLOMON. Under Marshall Island flag and registry.
2018 in service same name and owners, IMO No 9445409.

Sources: Various internet sites and Miramar.
Qatar 2017 4.50R/8.50R sgMS?, scott?


The full index of our ship stamp archive


Postby aukepalmhof » Sun Oct 08, 2017 7:37 pm

zuytdorp painting.jpg
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2017 zuytdorp_jpg_.jpg
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Shipwrecks: Capturing our maritime past

While shipwrecks are a relative rare occurrence these days, since the 1600s more than 8,000 shipwrecks have been recorded as occurring in Australian waters. Of these, however, only around 2,000 have been located.
The Shipwrecks stamp issue, which will be released on 29 August 2017, presents three historically and archaeologically significant shipwrecks. The stamps feature paintings by maritime artists of each wreck event, together with a recovered relic, to show the context of each voyage.
Australia protects shipwrecks under the Historic Shipwrecks Act 1976 (Cth), including automatic protection for all shipwrecks more than 75 years old. More than 6,500 wrecks in Commonwealth waters are protected under the Act, and there is complementary legislation in each state and the Northern Territory. The Act also currently protects half a million historic shipwreck relics and artefacts in various public and private collections.
For this three-part article series, we spoke with some of the curators who assisted researcher Jane Levin with the stamp issue, to learn more about each wreck and the incredible work they do in caring for and preserving them. We also spoke to one of the artists whose detailed research helped to beautifully capture a moment in history.
In June 1712, with an estimated 200 or more passengers and crew on board, the VOC ship ZUYTDORP was wrecked on the Western Australian coast. Captained by Marinus Wijsvliet, and heading from the Netherlands to Batavia (now Jakarta, Indonesia), it crashed onto rocks at the bottom of cliffs just south of Shark Bay, now known as Zuytdorp Cliffs. Even today, the currents and cliffs of this area are notoriously treacherous.
As well as conveying various trade goods, the three-masted 700-ton ship was carrying a highly valuable load of silver coins, valued at around 250,000 Dutch guilders. Wreck artefacts were discovered near the site in 1927, including silver coins dated 1711. These coins helped archaeologists in the 1950s and ‘60s to identify the wreck as that of ZUYTDORP. There is an area of the wreckage site called the “carpet of silver”, because of the number of coins that still remain embedded there. One of these coins is featured on the stamp, and a medallion based on the coin design is featured in a limited-edition medallion cover.
When Dutch-born artist Adriaan De Jong conceived of painting the wrecking of the ZUYTDORP, which appears on the stamp, he had much to consider, especially as no survivors of the wreck came forward to report the event or give their version of it. He also had to think about the weather and other circumstances that may have led to the wrecking event, let alone what the ship itself may have looked like, including the detailed sterns typical to VOC ships of the era.
“If one paints a seascape the weather condition plays an important role in picturing the scene,” says Adriaan.
“This shipwrecking most probably took place in the beginning of June, 1712,” says Adriaan. “To the antipodes of the northern hemisphere this is the beginning of the winter season. The weather is more changeable and it is not uncommon that changes announce themselves with fronts of rain and thunder that drift from the sea towards the land. In the southern latitude of 27º 11΄, where the ZUYTDORP perished, it is possible that a fast upcoming front with thunderstorms caught out the sailors on board the ZUYTDORP while sailing on a northern course not far from the coast,” he adds.
“Knowing that the ship moved in northerly direction towards Batavia, it is noteworthy that the wreck came to rest sideways against a coast stretching south-southeast to north-northwest, but with the stern pointing northward! A track gouged out under water where the keel rammed the ground at first indicates the ship was driven headlong onto the underwater rock shelf. Stuck by the bow, a south westerly wind with accompanying wave condition would then have pivoted the ship around until the stern pointed to the north and driven it further on shore where it also sank,” says Adriaan.

In Adriaan De Jong’s evocative painting, he shows how the ZUYTDORP has already turned sideways in front of the rocks with her stern pointing to the north, which Adriaan describes as “speculative but plausible”.
“A maritime expert explained to me that the vessel must have been driven hard up against that cliff and that possibly the crew managed to bring out ropes from the masts to the cliff and careen the ship with its masts against the cliff, thus enabling a large number of people to abandon ship. During excavations half of the broken ship’s bell has been found wedged in the side of the cliff, indicating how close the vessel must have been to this cliff. In recent times there has been much speculation about what may have happened to the ZUYTDORP survivors and the main conjecture is that they may have integrated in the local Aboriginal communities. That was also my reason to place the Aboriginal figures on top of the cliff,” says Adriaan.
Adriaan also carried out extensive research into the potential distance between the ZUYTDORP and the ship immediately behind it, the KOCKENGE, to determine the likelihood of the ZUYTDORP experiencing different weather conditions to the reportedly ‘fine’ weather conditions experienced by the KOCKENGE around the same time. Adriaan examined VOC charters from the time and then used physics to calculate the likely speed each ship was capable of. Adriaan concluded that the KOCKENGE would have reached the same location a good seven to 10 days later, which could explain differing weather conditions experienced by each.
Meticulous research was also undertaken to determine the size and appearance of the ship itself.
“The VOC charters of the time are very detailed,” says Adriaan. “For instance, a ship is imagined to be divided in nine cross-sections and for each section six points, port and starboard, are given what the width and height of each point is. It is thus possible to reconstruct the lines of these ships. The charters are for ships of 160, 145 and 130 feet and there can be no doubt that the ZUYTDORP was built in accordance with the charter for 160 foot ships. Having the lines plan of the ZUYTDORP it is then possible to rotate this into a position which would suit my idea of how to paint the vessel,” he adds.
“What is more problematic is determining the detail. We do know that the name of a VOC ship was almost always depicted in an emblem on the ornate stern. For details of the ornamentation I have relied to a large extent on art works by the marine artist Ludolph Backhuysen, who painted around the time of the ZUYTDORP. One of his engravings, for example, includes a ship which has a carving of a woman holding a mirror in her hand (representing Prudence – a careful lady who can look ahead but, thanks to the mirror, can also see what’s happening behind). In addition, the emblem representing the name of the ship must have had a direct connection with the village called ZUYTDORP in the province of Zeeland in the Netherlands. It so happens that this village has a coat of arms which is a yellow field on which three blue flowers grow. This coat of arms is left from the middle of the stern. I have also included a second coat of arms which is that of the province of Zeeland,” explains Adriaan.

To learn more about the ZUYTDORP, visit the Western Australian Museum website.
In our next instalment, we look at the incredible tale of the HMS PANDORA, which sank on the Great Barrier Reef, after returning home from her mission to capture the notorious Bounty mutineers.
Wikipedia has an interesting article on the ship: ... time-past/

The ZUIDDORP (ZUYTDORP) actual the village is named Zuiddorpe after which the ship is named, the VOC database gives the name ZUIDDORP to the ship and the following comes from this database. All the web-sites (and there are many on the ship) name the vessel ZUYTDORP.
The vessel was built in the province of Zeeland most probably at Flushing for the Chamber of the VOC of Zeeland in 1701 as a retour-ship.
Tonnage 1,152 ton.
Her maiden voyage was when she sailed from the Wielingen on 15 January 1702 bound for Batavia in the Dutch East Indies under command of skipper Kornelis Jorissen.
On board where 221 crew, 89 soldiers and 6 passengers.
From 26 January till 05 March 1702 she stayed at the Torbay, south coast of England, 7 sailors and 1 soldier ran away there.
12 June 1702 she arrived at the Cape in South Africa, during the voyage 6 crew died. 13 crew and 10 soldiers left the ship in the Cape and 1 passenger, 12 crew and 2 soldiers joined the vessel.
07 July 1702 she sailed from the Cape and arrived in Batavia on 06 October 1702, during the whole voyage from the Netherlands to the East Indies 8 crew and 6 soldiers died.
01 December 1705 she sailed from Batavia bound for the Netherlands under command of Skipper Arie Taats with a crew of 105, 30 soldiers, 8 impotenten (invalids), 7 craftsmen and 13 passengers.
03 February 1706 arrived at the Cape and sailed from there on 04 April 1706.
26 July 1706 arrived at Rammekens by Flushing.
Her second voyage to the East Indies was on 05 June 1707 when she sailed from the Wielingen under command of Skipper Jan Akkerman with on board 150 crew and 107 soldiers. During the passage to the Cape 32 people died.
07 November 1707 arrived at the Cape, where 13 crew and 14 soldiers left the ship.
09 December 1707 sailed again from the Cape, 3 crew members joined the ship.
29 February 1708 she arrived in Batavia with on board 124 crew and 70 soldiers.
13 November 1709 she sailed again from Batavia with on board 105 crew, 30 soldiers, 7 impotenten and 15 passengers under command of Skipper Jan Akkerman.
31 January 1710 arrived at the Cape, during the voyage 3 crew died.
02 April 1710 sailed from the Cape, at the Cape 22 crew left the vessel.
16 July 1710 arrived at Rammekens.
Her last voyage was under command of Skipper Marinus Wijsvliet with 286 crew.
Made a call at Annobón, Equatorial Guinea and stayed at San Tomé & Principe from 13 December 1711 till 04 January 1712.
23 March 1712 arrived at the Cape, during the voyage 112 crew died and at the Cape 22 crew joined the vessel.
22 April 1712 sailed from the Cape and that is the last information, her wreck was discovered in 1927 in a position 40 miles north of the Murchison River at the west coast of Australia.
Australia 2017 $1 sg?, scott?
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